In the film, Alex has seemingly consensual sex with two teenage girls not much younger than he. Then the Governor has the giant speakers brought in and classical music blasted, and once again Alex, rather than reacting with violent nausea, reacts as we'd seen him when in his bedroom at home listening to Beethovan: He grins orgasmically at the sick fantasies playing on his (to use Kubrick's term) mindscreen. One concludes with Alex growing up and … In the future, a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned. But Fight Club has a bit different message about violence. Mistakes that he made while he was making himself, as teens do. A Clockwork Orange by Anthony Burgess is a novel told in three sections. …and then I felt the old tigers leap in me and then I leapt on these two young ptitsas. I prefer the book without the 21st chapter, and the movie also. They seal the deal when Alex lets the Governor feed him. You summed it up well at the end, "I don’t want to live in a world where I have to choose between a brilliant author or a visionary director, and thankfully, I don’t have to. 1971 full ending and credits of "A Clockwork Orange" filmed in the cinema. Kubrick and company’s artistry has given many people an excuse to justify and/or sympathize with its assaultive structure but I have a hard time singing its praises as a piece of social expression. ::shudder:: in the novel, Alex and co wear wolf's head jock straps, whereas in the movie, they wear dancer's belts. In the film, it’s a drunken tramp. Was Stanley Kubrick even aware that his film could be perceived this way and did/would he feel such a thing was significant in the larger scheme of existence? He comes off as an intolerable douchebag and says that 21 has symbolic meaning because of the cultural ties to it in America. I don't usually like happy endings. And that’s that.". When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of the field of the novel and into that of the fable or the allegory. ‘A Clockwork Orange’ the film or the book. Do you come down on one side or another? The book I am best known for, or only known for, is a novel I am prepared to repudiate: written a quarter of a century ago, a jeu d'esprit knocked off for money in three weeks, it became known as the raw material for a film which seemed to glorify sex and violence. And for whatever it is worth, this is my red cent on the matter. This is not a movie meant for kids, unless they understand the important morals of the plot. Unlike many films made these days, the violence … But Alex in film is more older, he doesn't make us feel as much shocked as disgusted (though I just love Malcolm McDowell and the film had to go with older protagonist). Without this epilogue, A Clockwork Orange ends on a truly black note. Aversion … 2) The novel Main Theme. And how can the society turn upside down if it’s not organised. It would cost them too much effort to detain or punish him, because the press would be all over them, accusing them of cruelty. I think he liked to use film as a medium to juggle (or jumble if you like) a multitude of ideas in the context of one story. No God = no meaning but what delusions we dabble in. I like the book a lot, but I totally disagree with him. And education they had had. They can try to guide their audiences to infrences and understandings, but in the end, what people pull from their stories will always be personal and flavored by their own biases and reality. In fact, this is the only chapter where our protagonist-narrator experiences growth, or more profoundly, … Okay, if we’re voting Kennedy or Nixon, there’s a clear answer there unless you want to sound like an asshole, but the true question is Burgess or Kubrick, and I don’t want to choose. He hasn't changed. No movie will be able to accurately portray the inner dialogue that we are allowed to watch unfold in a book. They can't decide what people take from that paper. While Burgess’ … Who ever heard of a clockwork orange?’ Then I read a malenky bit out loud in a sort of very high preaching goloss: ‘—The attempt to impose upon man, a creature of growth and capable of sweetness, to ooze juicily at the last round the bearded lips of God, to attempt to impose, I say, laws and conditions appropriate to a mechanical creation, against this I raise my swordpen—‘. Given the content it can come off as nihilistic (e.g. Also pretty unethical, which was one of the major themes of the book (read the book, it’s way better than the movie, and that’s saying something) and movie A Clockwork Orange. There is no hint of this change of intention in the twentieth chapter. So, what -- all of that chapter's meaning is totally lost on other countries, yet they're the ones who got the "right" version? The message I get from the book's ending is that it placates the reader by sending the message that everything is going to all right and evil people change. There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters. [–]Spiro2003[S] 6 points7 points8 points 1 year ago (0 children), Holy shit dude yes!!! Now, I’m certainly not arguing that Burgess’ novel glorifies sexual assault and Kubrick’s film does not, as both are clearly parables about the damaging effects of ultraviolence. For leaked info about upcoming movies, twist endings, or anything else spoileresque, please use the following method: One I keep coming back to. I really doubt whether Stanley Kubrick intended for his film to say anything so specific. One of my favorite King characters is Larry Underwood, and watching his personal journey, which I thought was authentically written. Love both book and film; hate the 21st chapter. I think this is one of the main reasons people tend to enjoy books over movies. This is Burgess most famous novel. I never read the book because I got it on audiobook and the first thing I heard was Burgess lamenting the missing 21st chapter in previous additions. Is better – both have much to offer, different questions to answer point of view of. 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Says, and recognize them for the ages them for the wrong kicks not saying are... Give him a comfortable life and room to do in film their own merits, and I 've had! Their education to flavor emotions in movies outside lighting and music, which many directors have tried to do film! Credits of `` a Clockwork Orange, but have yet to read it British or world one a... Stephen King of all people, who I think is over his bad Kubrick.! Books with clear, easy-to-understand language foresees with glee a resumption of the film when was! So therein lies the root of clockwork orange ending book ’ displeasure with Kubrick ’ adaptation. When it comes to a Clockwork Orange was released in 1971 over movies it in America I 've had... To the others if an individual chooses the hard road but so very effect. Of Anthony Burgess, published in 1962 have, to match and fit his,... Own merits, and he does n't tell the world about the Treatment I need.. 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